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Nathan Amundson

Review: Rivulets - Yearlings

Having summoned the talents of his live band (and the acoustics of the Sacred Heart Centre) to turn the introspective songs of We’re Fucked into a powerful outward force, Yearlings feels more geared toward “one-to-one” listening, through which Amundson can remove the guise of illustrious reverb and collaborative company

Interview: Nathan Amundson (Rivulets)

The message behind We’re Fucked seems to partially derive from what you refer to as a “vapid cultural/musical landscape”. Would you care to elaborate on what you mean by that? Well the label were doing their promotional stuff, and they asked me to give them a blurb. I

Review: Infinite Light, Ltd - S/T

A strange one, this. Rather than occupy the musical overlap between its collaborators, Infinite Light, Ltd is in a constant to-and-fro between styles – drifting into giant drone passageways, veering off into folky lo-fi guitar noodling, and stumbling into gentle, piano-lead melancholia. It’s not devoid of an identity exactly; it