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Review: Masayuki Imanishi - Tone

Imanishi divulges his sound sources. Radio, paper, field recordings. Yet I can’t shake the feeling that I’m listening to the microscopic sounds of plant life and microbial growth: the bubbling of cell division, the tinny hums of photosynthesis, the slosh of water molecules, the chattering sines of inter-cell

Review: Yannick Dauby - 蛙界蒙薰

Dauby pitches his part of the dialogue perfectly. He doesn’t mimic the frogs outright; rather, he empathises with them, co-exists with them – his synthesisers become mysterious figments of the amphibious habitat, embedding themselves amongst the damp foliage as accepted members of the ecological chorus. Yet there’s a deliberate

Review: Artificial Memory Trace - Boto [Encantado]

The hand of the composer adopts a translucent presence throughout Boto [Encantado]. Natural landscape is decomposed and then reassembled; the end result is imaginary but entirely believable, gently guided through narrative and transitory emphasis without sacrificing the sense of place and immersion. Kwi is both at the mercy of his

Review: Mutamassik - Rekkez

Who knows if Mutamassik’s bizarre stylistic mesh is the direct result of her multicultural upbringing, but it certainly feels as though it’s played a part. Having been born in Italy to an Egyptian mother, Guilia Loli moved between Egypt and the USA before returning to Italy once again;