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Editions Mego

Review: Klara Lewis - Too

And so Too materialises all by itself, thickening from the sound of amplifiers left humming, of vocal loops beating against the walls like trapped moths, of the buoyant rhythms of plastic cups being rubbed together. The opening four minutes, titled “View”, embark on a transition from idle noise to visceral,

Review: Robin Fox - A Small Prometheus

Each track whirrs into life. Metronomic status lights and boisterous accelerating motors. Steam billowing upward and slow, humming circulations of rotary blades. A flatulent, intermittent rumble, muffled by rubber casing. I turn nervous as the noise escalates, or when things turn too quiet. Have any of these machines been tested

Review: Nazoranai - 'the most painful time happens only once has it arrived already..?'

To be trapped inside this record is a disconcerting sensation, because Nazoranai don’t know where to stop. At a certain point in each piece, the player-sound relationship flips into a hideous reverse; gigantic arcs of distortion and reverb start to shower from the ceiling, while drums are dragged along

Review: Thought Broadcast - Votive Zero

I imagine somewhere tucked somewhere within a recess of history and architecture, where Votive Zero exists as an immaculate, 360-degree experience. I taste the fresh vibrations as they rattle out of a metallic amplifier grate, examining each crease within each cough of slapback delay; I make eye contact with the

Review: COH - TO BEAT

I enter the airlock of TO BEAT: an isolated zone away from the logic and consequence of a linear life, where rebellion and transformation materialise in time and then dissipate into the files of forgotten memory. The opening track tracks the compression of a constant sine tone into sharp punctuations

Interview: Fennesz

Interview: Fennesz

I just want to establish the pronunciation of the album title before we begin. It’s called Bécs [pronounced “baeetch”]. Peter Rehberg and I thought it’d be nice to use this title, but I knew that it’d be difficult for some people. I suppose the primary concern is

Review: ÄÄNIPÄÄ - Through A Pre-Memory

Nothing sits right. Everything is slithering out of something else; crooked amplifier spill dribbles from snot bubbles of electronic beat, while strings penetrate the ceiling like light squeezing through cracks in an otherwise pitch-black concrete cell. In fact, it sounds as though the whole record may have been composed in