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Corvo Records

Review: Nicolas Wiese - Living Theory Without Anecdotes

It opens with a chime that resists a smooth and swift decay, slurping up in volume again to resonate for as long as it can, as though cherishing every nanosecond of existence in the doorway to silence and death. Much of Living Theory Without Anecdotes plays with sound in this

Review: Axel Dörner + Jassem Hindi - Waterkil

Dörner and Hindi often treat the boundary between sound and silence as some sort of treacherous tightrope. Waterkil is sometimes no more than a wispy exhalation of air hissing lightly into one corner of the soundscape; sometimes no more than a speck of static scuttling around an empty room, or

Review: Thorsten Soltau + Preslav Literary School - Grün wie Milch / Alamut

Although recorded and edited back in October 2010, Thorsten Soltau’s side to this split wasn’t actually mixed and compiled until September this year. Such a gap may have been employed to make Soltau’s sound library start to feel like just that – a sound library – rather than a

Review: PopeWAFFEN - S/T

The opening statement of Berlin’s Corvo Records is a tirade of phased distortion, electronic squeals, sweeping metallic chimes – somewhat anarchic, yet unarguably cohesive – acting as a cathartic, all-at-once release of pressure, and a rowdy proclamation as to what PopeWAFFEN are all about. But while “Easter Sunday Raid” perhaps a

Review: Ezramo - come ho imparato a volare

Ezramo has found herself present on both of Corvo Record’s debut releases. But while PopeWAFFEN calls upon her abilities to interact and improvise with a stark variety of other performers, come ho imparato a volare allows her to occupy a space all of her own. The voice she adopts